Contacts:
Pat Suhrcke, Director
(617) 495-2727
email: Public Events@cambridgeforum.org
Press Release
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PEN New England
and the Cambridge Forum to host THE AMERICAN BLANDSCAPE: Risky Writing and
the Forces that Silence It
April 10, 2008, 7:30 p.m.
The First Parish Unitarian
Universalist,Cambridge
3 Church Street Cambridge, MA 02138
Free and Open
to the Public
On Thursday, April 10, PEN New England’s Freedom-to-Write (FTW) Committee, in
partnership with the Cambridge Forum, will host The American Blandscape, a panel
discussion about the forces in the world of publishing, society at large, and
our own psyches that work to silence “risky writing,” the most dangerous but
also most important of an author’s works. The discussion takes place at the First
Parish Unitarian Universalist Church at 3 Church Street in Harvard Square, Cambridge,
at 7:30 p.m. It is free and open to the public. Books by the participants will
be available for sale and signing courtesy of the Harvard Bookstore.
The panel,
moderated by Richard Hoffman, poet, fiction writer, and author of the memoir
Half the House, will feature:
•Carole Horne, General Manager, Harvard Book Store,
long a supporter of the freedom to read and write;
•Linda McCarriston, professor
of creative writing and literary arts at the University of Alaska, poet and National
Book Award finalist for Eva-Mary;
•Mark Pawlak, professor of mathematics, University
of Massachusetts, Boston, editor of Hanging Loose Press and poet, whose most
recent collection is Official Versions;
• Jill Petty, editor and small press
publisher.
The importance of politically challenging fiction and poetry throughout
history is undeniable: from Turgenev’s powerful “A Sportsman’s Notebook,” which
prompted Czar Alexander II to become the first world leader to free his country’s
slaves, to the Lost Generation’s opposition to fascism; from Ginsburg’s “Howl” to
Doris Lessing’s fiction to James Baldwin’s powerful and incisive essays. Has
such writing been effectively denied its audience in our day? To what extent
are the barriers to risky or oppositional writing real or imagined? What are
the long-term societal and cultural dangers of a safe literature, of books as
mere entertainment or escape? And what are the individual author and the reader
hungry for substance, to do?
Most of us are familiar with the trends in publishing
favoring a few big-name authors at the expense of the lesser known perhaps riskier
writer: big publishers taking a Hollywood blockbuster approach to deciding what
books to publish and market. Profit being the index of success, publishers no
longer seem to feel an obligation, as Andre Chiffron has pointed out, to publish,
even at a loss, a modicum of important, risky books each year. Many serious or
unknown authors must look more and more to small presses to publish their work,
but systemic distribution challenges make it hard for these books to reach a
wide audience. The rock-star argument even exists in the academy: often authors
with books published at smaller presses find it much harder to get tenure than
those with books from the big publishers. But is there something more insidious
than the market at work?
In her The Cultural Cold War: The CIA and the World
of Arts and Letters (short-listed for the Guardian First Book Award), Frances
Stonor Saunders details how after World War II the CIA penetrated and influenced
a vast array of cultural organizations, publishing and translating well-known
authors who toed the Washington line, sponsoring abstract art to counter art
with any social content, and subsidizing those journals that criticized revolutionary
politics and defended or ignored violent and destructive U.S. policies at home
and abroad.
The American Blandscape is being held in conjunction with the presentation
of PEN New England’s annual Vasyl Stus Freedom-to-Write Award and the Thomas
Paine Freedom-to-Write Award for American Writers.
PEN New England is one of
five regional branches of PEN American Center, which in turn is part of International
PEN, the only worldwide organization of writing professionals and the world’s
first human rights organization. PEN’s mission is to promote literacy and a culture
of literature, and to defend free expression everywhere.
Cambridge Forums are free and open to the public. Book signing will follow program. Open discussion follows speaker presentation. Events are recorded for public radio broadcast. CDs and tapes are available. Call 617-495-2727. Forums can also be viewed online: Go to www.cambridgeforum.org and click on the WGBH Forum Network. Cambridge Forum 3 Church Street Cambridge, MA 02138 Phone/fax: 617-495-2727 email: director@cambridgeforum.org website: http://www.cambridgeforum.org "Bringing people together to talk again . . ."